Events List

Don't miss this opportunity to experiment with collage using powerful portraits from current exhibitor Abhi Chinniah's private collection to create an unique and stunning piece of art.

Simply post one of your recent artwork/photograph/design on Instagram or Facebook with the #DepotArtspaceGallery hashtag by 25 Oct for a chance to be featured & win free Depot membership and exhibit at our upcoming member's show for free! 

In this body of work Linda Gair has sought to express some of her opinions regarding several topical issues we are facing today in Aotearoa New Zealand, particularly in Tāmaki Makaurau Auckland.

Depot Artspace extends an invitation to all Members to present works for Sampler, an exhibition of small works showcasing each artist’s unique abilities and style.

This project explores geometric abstraction as a method to frame transcendental ideas. Rhea’s drawings emerge from literal guide-lines made from a particular combination of horizontal and vertical ruled pencil lines which guide a viewer’s eyes up, down and across the picture plane.

Gibson's new works look at product worship, consumer behaviour, and contrived marketing environments in the perfect world of need and seduction. The artist explores manufactured entrapment and the sparkling delight of products and consumables that seduce us with a calculated appeal that we cannot bring ourselves to deny.

Dylan-Blanc Huata - Hi There, Haere 22 Jan - 9 Feb 2022Opening: 22 January 2022 2 – 4pm with dance & music performance at 3pmCentral Gallery A poetic take on unacknowledged discussions. ‘Hi There, Haere’ presents the audience with the honest and harsh lifestyle of Māori & kiwis living comfortably and in poverty. From financial…

Covid-19, pandemic, we are stuck at home. Our life circle has shrunk from the entire city to home, and the majority of our activities have moved to virtual spaces. In retrospect, quarantine is like everyone returning to their own uninhabited island.

This is Abbie Twiss’ first exhibition without colour, incorporating a range of early work and recent editions that sit on the periphery of her vibrant Pop Art-inspired practice.
Painted vignettes of early memories are reduced to a monochromatic palette here, like recollections in the mind’s eye that alter as the decades pass. Far from fading from view however, while the insignificant details of Abbie Twiss’ memories fall away, the key forms and emotions of a memory emerge in black and white.

In equal parts light-hearted and ominous, this exhibition recognises the multiverse we now live in, where conflicting truths seemingly coexist.