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Sefton Rani's work involves the concept of “urban tapa” which is taking the traditional form of tapa and reenergising it with modern materials, methods and motifs that reflect the contemporary environment we live in. His work is primarily created with the use of paint skins where paint is applied on
glass or plastic and when dry, peeled off and collaged to form layers that represent time and the history of the object or surface.
double-knotted shoelace, is Trixi Rosa’s first solo exhibition and also the title of her debut poetry collection, recently published by Swimming with Elephants Press (USA). This exhibition is an intricate dialogue between selected poems from the book alongside their responding artworks. Through written work, performance and immersive audio-visual installation, the artist exposes bone in an act of self-suture. Using personal narrative to carve an awkward inquiry into the intersections of identity, place, intimacy and shame.