Building (Under the Volcano) explores suburban built environments and the genealogy of forms that constitute Te Hau Kapua-Devonport to ponder relationships to the whenua, how we choose to create our homes and how different cultural understandings and expressions of home shape our suburban environment.
How might the village of Devonport, with its wonderful natural setting and heritage main street, be adapted and enhanced into a invigorated and sustainable town centre that addresses the future needs of locals for more housing, workplaces and amentities, a stronger local economy, and better connection between Takarunga and the harbour?
Takarunga: A Natural History by Tate delves into the ecological and social history of Takarunga (Mount Victoria) through a series of paintings, revealing its rich history and the often-overlooked depth of its ecological significance.
This exhibition relates to my fashion background in the making; I stitch porcelain, metal. I adorn objects, I make Bijou for the Wall.
The Stacey & Steve Show is what happens when two friends realise they’ve been on the same creative wavelength. Same tools, same techniques, same obsession with printmaking.
The Boundary of the Intelligible features a new exploration of colour for Jennifer Mason who usually focuses solely on the figure as subject. This exhibition sees a new development where the state of reverie for the figures extends out into their surroundings. Previously the emotional state of being was solely conveyed through the face or pose, now the figure is placed into a dream like environment that is located in the sea and sky.
This is a creative and relaxing workshop where you'll learn to draw on a ceramic plate using underglaze pencils, guided by a photograph of your choice.
Benediction explores the artist’s journey of finding both cultural identity and a sense of spiritual connection both in Netherlands and Aotearoa.
DEPOT is proud to present an artist talk featuring Studio D3 artists Janet Mazenier and Celia Walker about their recent art residencies.
Vānimonimo is a collection of sculptural and painted works that explore the Sāmoan concept of Vā, the sacred relational space that binds people, land, ocean, and ancestry.
Embroidery and textile motifs have been used universally as a visual code. In these embroideries, Kirsten Sutherland explores the language of nineteenth-century American quilt designs.
This workshop is a 2-hour course designed to introduce you to frame weaving with dried flowers and leaves. With some basic tapestry weaving techniques you’ll be on your way to creating your own botanical textile masterpiece.
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